We love a kooky print as much as much as the next person, and Norwegian designer Fam Irvoll is by far amongst the best for infusing an element of fun into her wacky cartoon-influenced designs. Filled with pretty pastels and pops of bright colours, her Spring 2014 collection is an absolute must. And that’s without even mentioning all of her signature cartoon pops that decorate the range.
To celebrate Fam Irvoll’s covetable collection, high street giant Topshop has handpicked ten of its designs and created a cool little pop up shop over at the Oxford Circus flagship. If you’re in the area, you can pop over and snap up a piece of the runway for yourself!
Or if you can’t make it over to London, head over to her online shop instead, where you can find one-off catwalk or sample pieces (as above) to purchase. Perfect for those who like to own something a little different from the rest.
Images: Fam Irvoll
Known for its coveted, Bata Shoe Museum-worthy collaborations with offbeat designers like Karim Rashid, Toronto based footwear and accessories brand Sully Wong is the definitive name in stylish street wear, mixing North American and Asian culture inspiration. Founded by shoe designers George Sully and Henry Wong, the duo are sticklers for minor details, clean lines and timeless designs, which couldn’t be better evidenced than in one of the newest shoes coming out of the Sully Wong shop.
Introducing the new SWJ NYLO HI III, originally inspired by Jack Johnson — the first African American heavyweight champion of the world – and featuring 1680D ballistic nylon upper with premium leather detailing. The internal lining is leather and a Sully Wong logo label sits on the front tongue. The shoe is elegant, stylish and a wear-everywhere piece that, correct me if I’m wrong, would look as good on a discerning gent as it would on an urban-athletic inspired women’s ensemble. For once… I wish they made this in my size!
It’s clear that, since the original SWJ I release, Sully Wong has stepped up its game. As George Sully told Peace Magazine, “It’s a whole new ball game. We’ve been working extremely close with our overseas factories, giving us more freedom to think big, and in return deliver even bigger.”
With that, the cumulative effort of past projects and a futuristic vision collides in the SWJ NYLO HI III, available in three colours — black, T.O. blue, and cobalt grey — at a cost of $165. The shoes are set to launch on the brand's refreshed online shop on February 1, along with a new line of backpacks.
Joseph already wooed us back in November after announcing it would celebrating 25 years at flagship store 77 Fulham Road in London by showing its Fall 2014 collections on the runway at London Fashion Week. Now the stalwart British brand has invited all of its friends to join the party (and we could not be happier) with a truly exciting creative collaboration, launching on February 15, to coincide with the runway show.
The first look of Joseph’s new designer collaborations, courtesy of Joseph
Alongside Louise Trott, the brand’s creative director, Jil Sander, Rupert Sanderson, Jonathan Saunders, Giles and Balmain have all designed pieces for the celebration, taking their own signature styles and reimagining them in the traditional Joseph black and white palette. From Saunders' floral prints to Balmain’s roaring lion, each piece takes on a new form in the new monochrome collection.
It seems only fitting that the 25th anniversary of the store is celebrated, having done so much for British style and international designers in that time. The founder, Joseph Ettedgui, not only created a beautiful and inspiring hub for London fashion enthusiasts in his West London store but also gave us a gateway to the likes of Kenzo, Yohji Yamamoto, as well as being the first to sell Prada.
Joseph’s own brand is now as synonymous with British fashion as those who have been hanging on the rails of the store for many years, and we cannot wait to see the new collection and get our hands on these fantastic collaborations.
Image: Vogue Italy
It's almost impossible to believe that people at Vogue Italy actually thought creating a "Vogue Black" section was a good idea. That is just the case, however, as highlighted in an op-ed by Jason Campbell for Business of Fashion. Campbell points out that the section has been around since 2010 and is dedicated solely to covering people of color. "What recently attracted my attention was its coverage from Pitti Uomo in Florence for which the site’s editors thought it appropriate to segregate black street style images in a section of the site’s 'Black Blog' called 'Vogueista Black,'" writes Campbell. Separation doesn't always have to be bad; for example, women of color have different hair and beauty needs and addressing those is a positive thing. Unfortunately, segregation for the sake of segregation doesn't do anything but further the divide. Vogue Italy was also the one who, in 2008, published an “all black” issue. It was widely hailed as a triumph, but isn't that, too, just segregation for the sake of segregation (and PR buzz)? If a publication really cares about diversity, it should make a point to integrate models of color seamlessly and in proportion to other ethnicities in its everyday coverage.
The disturbing issues of race don't end there. Miroslava Duma published an image on her website of Garage magazine’s editor in chief Dasha Zhukova sitting on a chair/woman in bondage wear — again, hard to believe that someone thought this was acceptable. She has since issued an apology and has cropped the image so that you can only see the black woman's boots. Also on deck when it comes to apologies? Madonna, who has apologized after much criticism for her use of the N word. Let's hope Martin Luther King, Jr. isn't turning in his grave.
It's unfortunate that we live in a society so obsessed with an unobtainable image of perfection that nearly every advertisement and editorial shoot we see is heavily Photoshopped (we're talking hours if not days of edits). It has spawned a whole industry — from open calls for original images to US Weekly articles on what celebrities really looks like. While it shows no signs of stopping anytime soon, some progress is being made. Who can forget the now famous Dove commercials and their mission for real beauty? The latest to hop on this train is American Eagle's lingerie store Aerie. The brand has launched Aerie Real, a Spring 2014 ad campaign featuring all unairbrushed models.
The campaign is "challenging supermodel standards by featuring unretouched models in their latest collection of bras, undies and apparel," the store said in a public statement. This move is not only astute because it gives Aerie the kind of press and attention it could otherwise only have dreamed of (cynical, but that surely was part of the brand's reasoning), but it's also critical that we stop brainwashing the public with what basically amounts to deceptive images — especially companies like Aerie, whose target demographic is 15-21 year olds.
image credit: Digital Edition Vogue España February 2014, via the tfs forums
For anyone who was worried American model Kendra Spears would quit modeling after marrying Muslim Prince Rahim Aga Khan and officially becoming 'Princess Salwa Aga Khan', here’s some good news. It looks like the Princess has no intention of putting a stop to her collaborations with Giampaolo Sgura, having worked with the photographer repeatedly even after her wedding in August 2013.
Now here’s some bad news: The latest collaboration unfortunately falls flat. Although neither Spears nor Sgura are to blame for it, the cover of Vogue Spain’s February issue is “all WRONG,” as tFS forum member Bertrando3 remarked. “Awful styling, amateurish pose, hideous layout,” he noted.
“Such horrible styling, this cover is giving me a headache!” agreed Miss Dalloway.
Fluxxx acknowledged that at least the model was captured well here. “The styling is busy for sure but I love her face. She looks gorge as usual,” he posted.
Interestingly enough, none of the other shots from the editorial – see the full cover story here – are as busy and messy as the cover shot. Had another shot been chosen for the cover, this could have been a fantastic cover. Instead, we are left with a cover that is quite an eyesore thanks to the garish styling and busy background. What were you thinking, Vogue Spain?