The August issue of Vogue Paris aims to celebrate the Parisian dream and Parisian women in particular, and “who better to represent French women than Marion?” as ALAUU pointed out. In addition to shooting an editorial of Marion for the issue, Sorrenti also photographed models Kati Nescher, Doutzen Kroes, Arizona Muse, and Isabeli Fontana in the streets of Paris modeling 80 essential looks for Fall/Winter 2012-2013.
“I'm starting to get sick of the same subjects being used; Isabeli, Doutzen and Arizona…” Chanelcouture09 shared.
HeatherAnne agreed, wishing there were some different, unexpected models within the issue. “In keeping with the French theme, why not use French models as well? It seems strange to me not to,” she commented.
Opinions in the forums on the actual cover were not too favorable for the most part. “Seriously, you'd think the Vogues would coordinate a little better,” Heatheranne wrote. “Personally I think the Vogue US cover of Marion blows this out of the water and makes it look amateur. Fail on Vogue Paris' part.”
Helmut.newton posted, “Terrible cover shot. She looks like she has a migraine!”
Even though Marion managed to get on the covers of three major fashion magazines this month, none of the cover shots have really wowed us thus far. What gives? How can you mess up a cover when you’ve got Marion to work with?
IAmLordZen described the cover as “borderline boring… but my GOD Marion has such a lovely face and with the right photographer, it just permeates through the picture.”
GarageGlamorour wasn’t wowed, and he placed the blame on the Vogue team. “It's boring,” he stated. “[Marion] looks gorgeous, but that isn't something to praise Vogue for. They could have done wonders with her.”
Miss Dalloway posted, “She looks beautiful, but wow is this insipid, just beyond boring! This cover certainly doesn’t want to make me run out and get it.” That's probably not what you want to hear if you're Conde Nast. Or Marion Cotillard. Or the studio behind the new Batman movie.
Dolce & Gabbana made their couture debut on Monday, July 9, during Haute Couture Fashion Week. The label chose to present to a small group of clients and only three media outlets in Taormina, Sicily, rather than in Paris, the home of Haute Couture. Showing away from Paris is likely a strategic move by the brand to avoid the strict requirements placed on full-fledged haute couture houses. It was also likely that Dolce & Gabbana showed their collection in Italy with the intent to keep the presentation more private, away from the eyes of critics. But, that didn’t stop Fashion Spot forum members from throwing in their opinions.
The prevailing thought in the forums is that we’ve seen it all before. “I give up on them,” Wolkfolk posted. “This is absolutely pointless and ridiculous. First, this is exactly what they've been presenting for the last two years and I'm sure we'll see it again in September.”
Spike413 stated, “Dolce & Gabbana is basically fashion's own version of Groundhog Day.”
Dolce & Gabbana may be fashion’s version of Groundhog Day, but their collections are certainly prettier than the 1993 film, even if it seems the label is providing infinite variations of the same few dresses. Plus, the designers probably have some time on their hands now that they’ve shuttered their D&G diffusion line.
Ferragamo's Fall 2012 campaign video is set in my favorite place I've never been to, and also never really thought about before: the Russian embassy in Berlin.
Fashion photographer Mikael Jansson captured the building's opulent, old world interior and included flashing glimpses of the surrounding city, which is undergoing rapid changes. A quick Google Image search informs me that visitors were once-upon-a-time greeted with a bust of Lenin.
The Italian fashion brand skipped the embassy's weird Soviet story to tell a different kind of tale. The Fall 2012 campaign riffs on the increasingly popular costume drama, casting Kate Moss, Sean O'Pry, and Karmen Pedaru entangled in a web of mystery, seduction, and desire…in pre-revolutionary Russia? Just kidding about the last part.
There may be no Romanovs this time around, but the video's definitely still a treat.
When it comes to fast-fashion/designer collaborations, Target has long been a trailblazer. Since launching its Go International program in 2006, the retailer has launched a series of successful fashion collections from major international designers like Rodarte, Thakoon, and Missoni, setting the standard for diffusion lines. Earlier this year, the brand dismantled its Go initiative and launchedThe Shops at Target, a rotating installation of celebrated retail boutiques offering exclusive products.
The Shops at Target is a cool concept, but the national chain's newest project aims to top all of its past successes. The retailer has joined forces with upscale department store Neiman Marcus and 24 Council of Fashion Designers of America (CFDA) designers to create an epic holiday line.
The Target + Neiman Marcus Holiday Collection will launch on December 1, and will be available at all Target and Neiman Marcus locations and online. There's a wide range of participating designers, from the established (like Carolina Herrera, Derek Lam, Diane von Furstenberg, Jason Wu, Marc Jacobs, Oscar de la Renta, Tory Burch) to the more cutting edge (Alice + Olivia, Altuzarra, Band of Outsiders, Brian Atwood, Lela Rose, Marchesa, Prabal Gurung, Proenza Schouler, Rag & Bone, Rodarte). Each designer created between one and three pieces for the collection, and prices will range from $7.99 to $499.99, with most items coming in at under $60.
Even though this collection is great for both Target (partnering with Neiman's will cancel out a lot of the quality concerns many people have about fast-fashion collabs) and Neiman Marcus (Target's hip-to-the-times brand will help the decades old department store update its faintly stuffy image), it'll be even better for the rest of us — and I'm not talking about the chance we'll have to to knock out our holiday shopping in one fell swoop. Since there are so many CFDA designers participating, this collaboration is a kind of snapshot of the current state of American fashion — maybe more than any NYFW we've ever seen.
Ivoire de Balmain was first introduced in 1979 and has become the brand’s most well known fragrance. This August, the label will relaunch a modern interpretation of the scent as part of its new licensing agreement with InterParfums. Of course, with a new scent, or in this case an old scent made new, an ad campaign is in order. Unfortunately, the image shot by David Sims missed the mark with forum members.
In this campaign, the label presents today’s Balmain girl with her face half-concealed in the shadow of her fedora, and her naked back turned to the camera. The image is supposed to be mysterious and alluring, but instead it seems a little silly and lacks the glitz and glamour that most people would associate with today’s Balmain.
“It's like a Valentino ad, except the mansion's been repossessed and the expensive clothes have been sold, so they're making do with a fancy kitchen wall for their background and a big hat to hide the shame,” tigerrouge analyzed. “The most expensive thing about this campaign is probably the price-tag mark-up on the product. As for the mysterious allure of the model, with that pose, she looks like she'd be capable of getting lost in her own house. And I don't know about anyone else, but I certainly don't have fantasies about standing in the corner of a room with half my clothes off,” she concluded.
All I can think is, who stole her shirt?! She’s obviously not in the middle of getting dressed or undressed because the shirt would naturally go on before the fedora, or come off after the fedora. Or did she actually trade her shirt for the bottle of perfume? It doesn't look like the trade was worth the trouble. The model just looks kind of sad and vulnerable, and I would wager a guess that that’s not the intended effect of the image. "Get this perfume! It will leave you cowering in the corner!" No thanks.