They got their cover. Here are Kim Kardashian and Kanye West for Vogue, wearing wedding attire in a photo by Annie Leibovitz. They are the #WORLDSMOSTTALKEDABOUTCOUPLE, according to the #caption running along the bottom of the glossy.
Surprise? I'm surprised. Although it's long been rumored that Kanye was hard at work lobbying Anna Wintour to secure a Vogue spot for Kardashian, there was no indication that his campaign was having any success. And although recently, a growing number of fashion editors have come forward with praise for Kardashian's style evolution, still we never could have predicted this. (And apparently, neither could some Vogue staffers — we heard that Kimye's cover was a closely-guarded secret even internally at the publication.)
L’Wren Scott leaving the British Fashion Awards 2013 on December 2, 2013 in London, England. (Photo by Niki Nikolova/FilmMagic)
This morning the New York-based PR team for L’Wren Scott’s London-based company released the following statement, which they requested be published in full; you can read it here below.
A spokesperson for L'Wren Scott:
The figures quoted in the media regarding the financial status of LS Fashion Limited are not only highly misleading and inaccurate but also extremely hurtful and disrespectful to the memory of L'Wren Scott.
Ms. Scott was considering a re-structure of her global business. The L'Wren Scott business consists of a wholesale business of ready-to-wear women's wear, a bespoke Couture business for private clients, a licensing business, Ms. Scott's globally recognized work as a Fashion Consultant and stylist and her collaborations such as her recent collection for Banana Republic. Her business overall was only seven years old and although some areas of the business had not yet reached their potential other parts of her business were proving successful. As a private business, details of income and turnover are not publicly disclosed, however it can be said that the long-term prospects for the business were encouraging. Ms. Scott was very focused on doing what was right for her global business and for the support of her team.
In terms of figures shown at Companies House in the UK. The parent company of LS Fashion Limited based in America had made a standard loan investment to the UK subsidiary. LS Fashion Limited is fully able to meet the company's liabilities and pay all suppliers and customers.
The L'Wren Scott team today said:
"We have lost a great friend and an inspiring leader. We are grieving privately and whilst we appreciate the incredible tributes that have been paid in the media by those who knew L'Wren, we strongly object to some of the media's intrusion into issues that are not only untrue and misleading but also distract from remembering and celebrating her life — the life of a successful, talented, kind, generous and extraordinary woman. We ask that our privacy and that of L'Wren's family and close friends be respected at this difficult time."
No further statement will be made for the time being.
Ms.Scott’s death by suicide on Monday morning sent shockwaves throughout the fashion industry and immediately led to speculation about both her professional and personal life, ranging from the solvency of her business to her relationship with longtime boyfriend Mick Jagger. Cathy Horyn’s lovely, loving tribute in The New York Times on Tuesday refuted any idea that Scott’s relationship with Jagger was in trouble, but did note that she had received word from a reliable source that Scott would have announced she was closing her business on the following Wednesday. This statement likely has been released as a direct denial of that report.
There comes a time when an effortlessly stunning cover comes along, and right now it's that time. Karmen Pedaru is 80s-inspired perfection on the cover of French Elle's latest issue, dated March 14, 2014. The Estonian model is photographed by Miguel Reveriego wearing Christian Dior.
IMAGE CREDIT: GLOSSYNEWSSTAND.COM VIA TFS FORUMS
See what I mean? Isn't this just delightful? Everything from Karmen's smile to the font of 'beauté' works. My sentiments were shared by Rigida who wrote, "That Elle France cover with Karmen is perfect!"
It's a rare occasion that I purchase Elle France, however, I couldn't resist making an order online and my copy arrived this morning. The issue has two fashion stories with Karmen Pedaru, both photographed by Miguel Reveriego. One of the editorials accompanies the cover shot and is very beauty orientated and the other is more fashion with Karmen wearing a range of looks from Saint Laurent, Gucci, Fendi, Balmain and Balenciaga.
Why don't you check out the editorials here and here.
[Season 2, Episode 2 of The Face aired on Wednesday and today we're recapping the episode with contestant Amanda Gullickson (you can find out more about her here). The South Carolina native has been blogging for us exclusively about the show and we encourage you to tune to Oxygen next Wednesday at 9/10 C to find out whether Amanda continues on to the next round. And be sure to check back in with theFashionSpot every week for an inside look at the previous night's episode.]
Yet another episode has passed and things continue to get more and more down to the wire. At the beginning of the episode, you see the aftermath of last week's elimination. Naomi [Campbell] is absolutely furious and it was really hard to see how much tension came about between her and Lydia [Hearst]. I felt bad, but I know that Lydia’s intentions were never harmful. All I knew is that we had no time for negativity! We had to win this next campaign! We could not lose anymore of our team.
Tim Brown/Oxygen Media
When it comes time for our next challenge, we arrive to see THE Tyson Beckford. He was just as eye-catching in person as in pictures. It was intimidating to have him judging, but at the same time that much more motivation to look good! For this challenge, we find out we will be in a latex skirt which will definitely restrict our legs, and super high heels. However, all of that sounds just dandy until you throw in some steps! That is where the real challenge lies. All I remember telling myself was to keep my head up and use my leg strength to stretch that latex as much as I could.
Steve Fenn/Oxygen Media
Overall, I felt good about my performance and think I did a very good job with it. The fact that Tyson liked my pose and Naomi noticed my confidence meant a lot. It was very reassuring to hear their positive feedback. Now it was time for the Pamella Roland
campaign. I really knew how important it was for us to win this and on top of that, of course we wanted a bag and dress to go along with it! This runway was tricky considering it was on a fully set dinner table…with people sitting there.
I can’t say I wasn’t nervous, but Lydia told us to have fun so that’s what I did. Walking on the runway and having to follow the figure eight pattern was no easy task, but I knew I had to just keep my head up. More then anything though, I remember those shoes had my toes feeling like they were breaking every step. Haha! I just could not let that show. I made it through and as a team we did a good job.
Unfortunately, I was critiqued yet again, and yet again it was for being too sexy. Before when we were practicing, we decided as a team I should blow a kiss to set a “cute” and “girly” tone to fit the gowns, but now I feel we would all agree that was a mistake. I will say though, like I said last week, if being too sexy is the only critique…I will take it! I feel it was really close, but Team Anne wins this week. This puts Ray back in the elimination room for our team. It was scary, but I agree with Lydia that it was the extra push she really needed to break through her shell. Unfortunately, the loft lost Kira but I got my teammate back! Now it is time to prepare for the next campaign!
Read last week's recap: ‘The Face’ Contestant Amanda Gullickson Tells Us About Her Frederic Fekkai Makeover [Season 2, Episode 2]
Yet another superb issue of Vogue which I had completely forgotten about. I wouldn't have given this particular September issue another thought if it weren't for my bookcases deciding to buckle under pressure this week. The cover just stood out amongst the rest (and for good reason). You can guarantee if I were to describe to you a Vogue cover shot with leopard print overload, you would be horrified at the thought of such a fashion faux pas. Although, the French Vogue team have showed us how it's done.
Vogue Paris' September 2007 issue has Natasha Poly photographed by Patrick Demarchelier on the front cover. The Russian model is decked out in leopard print Givenchy haute couture, which was styled by then editor-in-chief Carine Roitfeld.
IMAGE CREDIT: BLOG.NAVER.COM
This 458 paged issue has something for everyone, with fashion stories from photographers Inez van Lamsweerde & Vinoodh Matadin, David Sims, Terry Richardson, Mario Testino and Mark Segal. We are also treated to appearances from Daria Werbowy, Sasha Pivovarova, Alice Dellal, Raquel Zimmermann and Lara Stone to name a few.
My favorite story from the issue is an editorial entitled 'Chic en Seine' photographed by Terry Richardson. It is a storyboard of Brazilian model Raquel Zimmermann and her male companion around the streets of Paris. The story consists of a glamorous Zimmermann wearing a range of jeans, blazers, jackets and shirts, in a successful attempt to emulate a young Parisian woman. Emmanuelle Alt styled the shoot and it's evident throughout. Many of the looks created seemed to have been pulled right out of Alt's closet. The outfits are simply gorgeous and this is exactly the type of fashion I love — relatable, comfortable and most of all, wearable.
Check out the thread from 2007 and familiarize yourself with the content here.
World Mastercard Fashion Week is officially underway, having kicked off last night’s celebration with a headlining show from Sunny Fong of VAWK. Returning to Toronto with a highly anticipated Fall 2014 collection entitled “1,001 Nights,” Fong, a Project Runway Canada winner, was able to draw a real crowd of movers and shakers at last night’s show, with Jeanne Becker and Elisha Cuthbert both occupying the front row. As a Happy Endings fan, I totally gushed over Cuthbert, but notwithstanding the A-list presence, most fashion-goers appeared enthralled by Amy Winters’ catwalk debut.
The ultramarathon runner, who lost her left leg after a 1994 motorcycle accident, made her appearance midway through the show wearing a uniquely designed and blinged-out prosthetic leg by Alberta-based company Alleles. The eye-catching, Canadian-made accessory perfectly complemented her sleek black fit-and-flare dress as the audience whooped and clapped at her appearance.
Fong has always made an effort to ensure models of all shapes and sizes are represented at his shows, but Winters' debut was a real anomaly and turning point in the acceptance of real women. “It's actually quite part of the collection – more so than just saying, ‘Let's use your thing, and try to make it work,’” Fong told BlogTO in advance of the show last week. "Any other season, I don't think it would have worked."
What made this season so unique? Perhaps it was the collision of classical and modern, blended with the luxury of Dubai and the organic style of 90s street fashion. Pleating, metallic and animal textures featured prominently, while the minimalist matte black canvas was broken only by cut-outs exposing models' skin. He had me at “90s street fashion,” but I think few could have walked away without being wowed by last night’s pioneering spectacle.
Image via WMFCW/George Pimentel/Getty Images