Apparently, Nicola Formichetti is so busy being the creative director of Uniqlo, he had to delegate the hard work (that's not actually sarcasm) of styling Lady Gaga to his assistant. [Fashionologie]
Bobby pins: an 'it' accessory you can believe in. [BellaSugar]
The varsity tee as a style accessory: I say it's cool only if you're in a fantasy football pool. [FabSugar]
Rihanna won her court case against Topshop, but some argue that it was hypocritical for the pop star to have taken legal action in the first place. [Telegraph Fashion]
If fashion's always changing, why are florals 'in' each spring? [HuffPo]
- A video promoting a period care subscription service (timed to your cycle) has made many LOL. [SheFinds]
Blake Lively is on the cover of Eva Chen's first issue as the new Editor-in-Chief of Lucky (hiring the former Teen Vogue beauty editor was one of Anna Wintour's first moves after being appointed creative director of Condé Nast) and she looks great, there's no way around it. Under Chen and Wintour's leadership, the publication is going in a new direction and taking a more aspirational approach to fashion than it has in the past — “Wintour has always believed that the fashion content of Lucky should cover a wide range of prices,” was how one Condé spokesperson put it to WWD.
Lucky's September Issue cover, photographed by Patrick Demarchelier, is no-bones-about-it beautiful, no matter how you feel about Lively and robin's egg blue (I guess she's fine but her existence really has no bearing on my life and in fact looking at her for too long is nauseating and so flattering!, respectively). The accompanying fashion spread is mostly very nicely done, but the image Lucky's sending around for coverage (below) is beyond weird. Look, I love a good ol' moss-colored cable knit sweater with sequin embellishment as much as the next girl, but pairing one with a sheer floral maxi skirt with a thigh-high slit? It's possible that my tastes lean conservative and I don't have the sensitivity to adequately appreciate the genius of this creative vision, but hmmm.
The issue hits newsstands on August 6th.
The English heritage handbag brand Modalu England is known for its iconic Pippa grab bag, which has been spotted numerous times on the arm of Pippa Middleton. She’s incorporated it into both relaxed and more formal outfits, which demonstrates the versatility of the piece.
It has a classic timeless style, which means it easily slips into an array of different looks and never goes out of fashion. Over the years, it’s been available in an array of hues from classic darker palettes to brighter, more seasonally directed tones.
For Fall 2013, Modalu England has just given the Pippa Grab bag one of its coolest makeovers to date, and it’s now available with a gorgeous high-shine croc finish. At the moment, you can pick up yours in a choice of black, nude or peacock on their website, or alternatively, you can save up you hard earned cash and splash out on the oxblood or lipstick colours when they become available in September.
It’s a steal at just £225, and it’s the ultimate no-brainer for those who want an on-trend piece this season.
In an attempt to cash in on the Royal Baby hype, as some tFS forum members assumed, Vanity Fair used a shot featuring the late Princess Diana for the cover of its September Style Issue. The photo, taken by Mario Testino, has appeared in the magazine multiple times before and seems to be a questionable choice for the September cover of the magazine. Although Vanity Fair is known for its love to use dead celebrities as cover stars, tFS forum members questioned the magazine’s ethics in this case as the tagline promises to reveal all about "Diana’s true love," making it seem like we can expect a gossipy article about details of Diana’s life that she may not have wanted everyone to know.
YoninahAliza wrote, “Diana was haunted by the press during her life and it is incredibly sad that even in death she is too. It's just sad and annoying that people are still speculating about her love life, she was more than just tabloid fodder and pretty clothes. Ugh, sorry, as someone who's been a fan of Princess Diana since a little girl, covers like this Vanity Fair one just get on my nerves. Of course it is a beautiful photograph but Vanity Fair's penchant for profiling dead people is a bit awful.”
She was not the only one who found Vanity Fair’s strategy here ethically questionable. Bertrando3 and justaguy also criticized Vanity Fair for its choice to use Princess Diana for the cover with such a headline. More complaints about the cover arose in other posts.
“Oh, Vanity Fair. It's a lovely shot of a truly beautiful woman, but really? Trying to be a well-timed cash in on the Royal-moment of William & Kate's baby no doubt. There wasn't anyone else more appropriate for their September Style issue?” commented honeycombchild, who was not the only one to point out the not-so-coincidental timing of this article.
GivenchyHomme is not happy with magazines using dead celebrities for their covers in general and remarked, “You know we live in sad times when a major magazine chooses dead subjects rather than relevant (and living) people. Maybe it's cheaper for them to license out old photographs rather than splurging on something original.”
I can’t say I ever feel disappointed when I see Princess Diana on a magazine cover, as she will always seem more relevant to me than the current crop of Hollywood starlets and reality TV personalities, but the whole intention behind publishing such an article seems dubious and it comes across as rather tasteless. No matter how beautiful this cover is, it looks like this will not be one of our favorite September issues of the year.
Ever since she landed a Givenchy exclusive for her first runway season (Fall 2012), New Zealander Ashleigh Good's career has been the envy of every aspiring fashion model. Not only did she walk 64 shows last season (making her the third most in-demand catwalker for Fall 2013), the 21-year-old also opened Fendi and both opened and closed Chanel, cementing her status as Karl Lagerfeld's latest muse. Good then followed her runway success with campaigns for Chanel and MaxMara. And now we're bringing you a first look at her editorial spread and cover for the August/September Issue of the beloved Australian fashion magazine, RUSSH.
"It was exciting to work with Ashleigh, especially after the stellar season she had kickstarted at the shows," says RUSSH Fashion Director Gillian Wilkins. "It was great to work with a 'homegrown' girl experiencing the dream. Just like Karl, we were spellbound with Ashleigh's beauty and individual self.”
The story was photographed by Alex Franco in an abandoned boarding school in Oxfordshire, outside London, and features model Sylvester Henriksen.
Wilkins: "We were inspired by old Peter Hujar images and playing with the theme of glamour around androgyny, cross‐dressing and exaggerated identity, so our characters were scripted as eccentrics who could almost be the same person and fascinated with each other. Ashleigh was always our main star and when Sylvester dropped by for a casting he was instantly the perfect partner for Ashleigh. Glamour, androgyny and eccentricity all molded seamlessly."
Last week, I reported on some statements Kelly Cutrone made during a conference call promoting the upcoming season of America's Next Top Model. As part of a conversation with a handful of entertainment writers, the fashion publicist and reality show judge acknowledged that "society has a hyper-emphasis on thin" and said she believed that the trend comes directly from consumers. The fashion and beauty industries, she argued, are just taking cues from the market, and that their only real objective is making money.
The remarks (which also included a critique of Dove's "Real Beauty" ad campaign) stirred up a fair amount of controversy, as some people felt that Cutrone was misrepresenting the role fashion plays in shaping consumer expectations and establishing the beauty standard.
The online retailer Modcloth, which recently launched a new plus size category, reached out to me to respond directly: "We believe strongly that her comments are more representative of an 'old school' belief system and with the rise of technology, the fashion industry is changing rapidly."
I spoke with the e-commerce site's Category Manager Samara Fetto, who told me that Modcloth expanded its plus size offerings specifically because the company realized there was a huge, unmet demand for more variety in sizing: "We know the plus size community has been underserved for so long, and the one thing that kept coming out was that [the plus size customer] didn't feel like she was included…we learned there was a tremendous need for plus size products."
Modcloth cites a variety of statistics that helped inform its decision to better cater to this underserved market — more than 50% of women identify as plus size, more U.S. women report wearing a size 16 than a size 2 and 0 combined — but the most impressive numbers were gathered internally from user behavior on the site: the average order for Modcloth's plus customer is 25% higher than the average; the number of items in each order is 17% higher; the plus size customer is 66% more likely to share on social networks.
Fetto: "She is more engaged, spending more money and buying more products."
Despite the obvious demand for plus clothing, Fetto told me that out of the 1,500 vendors the retailer typically works with, only 30 were initially prepared to produce plus garments (the number has since grown to over a 100).
Modcloth has a retro aesthetic that lends itself to a broad range of figure-flattering styles, but even more straightforward contemporary brands have seen an overwhelmingly positive response when they've shifted the focus away from straight sizes. A summer and swimwear online campaign for H&M+ featuring model Jenny Runk went viral when it showed up on the retailer's U.S. website without any copy flagging it as a 'plus' collection.
"We think that Jenny showed our summer and swimwear garments in a very good way and we are very happy with the pictures," H&M told me via email. "At H&M we try to have a mix of models for our different campaigns throughout a season. Our aim is not to convey a certain message or show an ideal but to find a model who can illustrate our collections in an inspiring and clear way.”
Runk is represented by JAG Models, the first-ever all-sizes agency. JAG was recently founded by Gary Dakin and Jaclyn Sarka, formerly co-directors of Ford Models' plus division.
Dakin told me that clients book plus size models "constantly now. They book models for almost every major department store including Bloomingdale's, Nordstrom, Macy's, etc. Glamour, Elle and every major publication. I believe they are doing it because the public is responding so well to diversity in fashion…The hyper thin trend is supported by all sides of the equation while being ridiculed by the same people, which is interesting to watch. The designers have trended all over the place. Gaultier, Mark Fast and others have included women of different sizes in their shows and campaigns which has been sporadic. It has been nice to see women of all sizes being included in the editorials and campaigns so I do not necessarily buy into the hyper thin thing. If that was truly the case, would I even be here for you to ask the question?"